And what about that surprise at 3:51? More of that 2018 jazzy major-9 business followed by a frigging VII chord (E♭), which I kind of hear as an augmented 6th chord. Yes, I said “augmented 6th chord” in an article about Top 40 music in 2018 — pick your face up off the floor.
But don’t get too comfortable with that one, here’s perhaps the most well-known melody of the bunch: the first two unique notes of Beethoven’s 5th Symphony. The most classic-est of classic major thirds.