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Knowing your audience is a crucial aspect of marketing your music, but it is also important to consider your audience when writing your music. What kind of people (outside of your friends and family) do you want your music to appeal to? What artists do people in your target audience listen to? Which moods and lyrics does your audience relate to?
Born in Tokyo, Japan in 1947, Ischi was a self-described “loner” who had a difficult time fitting in. He heard yodeling on the radio as a child and became obsessed with the sound of it. It clearly made a massive impact on him, because his life was set on a completely different course after that.
Speaking of international recognition, while they may not be an electronic group, per se, Kokono No.1’s approach to technology is reminiscent to early Suicide records, and they exist in a world of their own. At the core of their sound is three electric likembé combined to make a single instrument that is then amplified through home made speakers that illuminates its sound with cracks, pops, and hisses. Their frenetic energy and multitude of singers on each track makes you feel as if you’ve stumbled across them on the streets of Kinshasa.
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All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Electric guitars are a bit more complicated. There are more parts involved when recording this instrument, such as the amplifier, the speaker cabinet, and any effects pedals — all in addition to the guitar, itself. Because of this, we’re going to focus mainly on recording electric guitars for this article.
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This may also include signed letters from employers. For example, my wife was also a 1099 employee at the time, as a nanny. Our lender asked for letters from her bosses stating that she was currently employed and would be for the foreseeable future. Depending on your situation, you many need a letter from your publisher. It just depends on how far down the rabbit hole they want to go.
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I’m not so interested in figuring out whether the track is “good” or “bad.” Instead, I want to find out, given the student’s goal, how they could move closer to it.
With much success in recent years, Shaw too shows no sign of resting on her laurels and continues to create groundbreaking work commissioned all over the world. Watch this space!
As we’ve established, one of the first places that phase issues can crop up is with multi-signal recordings. Common culprits include drum sets, or acoustic guitar setups. When two very similar (or even identical) signals with a delay of < 20ms are added together, they produce a phenomenon called comb-filtering. This is a hollow, sweeping kind of sound, similar to a jet airplane or traffic passing by. Although it’s exaggerated and used for musical purposes in flange effects, it’s generally unpleasant and should be avoided.
In the above video, you can watch me put together a quick trap beat and then create some simple variations on it. Subtle changes in the foundational loop or beat will help your song to feel like it’s moving forward as the song progresses, even though the track might only be built on a couple of repetitive looping fragments, just like so much of hip-hop production is.
It’s time to say no. Not only have audiophile tech innovations like Pono and Tidal been hilarious failures, they are priced out of reach of the average music consumer and self-consciously pitched towards those with disposable income. In contrast, low-bitrate MP3 is the Occupy to vinyl’s Wall Street. No matter how crappy your internet connection is, how basic your device is, or how little money you can spend, anyone can pirate low-quality, lightweight audio files or rip them off YouTube. Now, what a beautiful thing that is.